I like to write poem.
I like to write prose.
I like to write music.
This is I.
The first article published here is something about the 'David' and me -- David.
Any response are strongly welcome.
Michelangelo broke away from the traditional way of representing David. He did not present us the winner with the giant’s head at his feet and the powerful sword in his hand, or try to depict us a nearly womanlike youth with a hat wearing posture. Instead, Michelangelo placed his ‘David’ in a most perfect and affectionate poise in which the two important virtues of the ancient patron city of
backgrounds of its formation. By examining the underlying ideas and symbols of the sculpture, at the same
time, I will try to demonstrate how Michelangelo gives rebirth to the ‘Classical humanism’, exploring the
concept of the ‘Renaissance individualism’ that influences the creative trends of the artists later.
The Origin of 'David'
The Political Connotation of the Statue
Sculpture Technique and Artistry
A Republican Legacy
of the town or in front of the Palazzo Vecchio, or the Town Hall? Although the dispute was not easily settled,
it gave no harm to the loftiness and respectability of David. The two most important virtues, passionate
strength and wrath of justice that are embodied in Michelangelo’s David are not only the most
indispensable elements of the Florentines and their Republican Government in the past, but also, to some
extent, of all the people, including every individual, every nation and even every Government in the present